The record itself is imbued with the sense of freedom from restraint, of a band less burdened by other people's expectations and relieved of the pressure that had been straining their relationship with one another. 'So now we're in this really nice place where we're almost circling back to the start where we just make music and write for the fun of it.” “Then the third album was more to do with our internal struggles and how do we just be a band, work together and enjoy spending time together, and then managed to succeed in doing that once we put out 'Game Show'. Then the second album we were a bit more like 'oh, how do we replicate our success?'. “The first album we were just teenagers who wrote songs in a garage and it was just for fun. “It's kind of back to the stuff we had on the first album where we didn't really care, not that we didn't care – we didn't have outside pressure about what we should be doing. “It feels a bit like Two Door 'unchained',” bassist Kevin Baird says of the new album. The film isn't without its problems, with the convoluted third act jumping the shark almost to the point of parody, and not all of the jokes land (although most do thanks to the cast's great comedic timing), but nonetheless GAME NIGHT makes for a perfectly fun time at the movies.On their fourth studio album 'False Alarm', Two Door Cinema Club have rediscovered the carefree whimsy of their craft not felt since they released their debut album almost ten years ago.

Lamorne Morris and Billy Magnussen are some of the obvious standouts among the film's enjoyable cast of characters, but Jesse Plemons is the true MVP, stealing every single one of his scenes with ease. 7/10 GAME NIGHT may not be a great film by any stretch of the imagination, but it's definitely a genuine blast and an entertaining ride from beginning to the very end (seriously, stay for the post-credits scene!) The rare major studio comedy that actually feels like a film, rather than a soulless exercise in assembly-line filmmaking, thanks to such creative choices like Cliff Martinez's thumping score and Barry Peterson's cinematography, which not only introduces new locations as if zooming in on a board game piece, but also sports a surprisingly well-executed long take.

Game show 2 door cinema club